Books published by publisher Beacon Press

Following in the footsteps of Robeson, Ali, Robinson and others, today’s Black athletes re-engage with social issues and the meaning of American patriotismNamed a best book of 2018 by Library JournalIt used to be that politics and sports were as separate from one another as church and state. The ballfield was an escape from the world’s worst problems, top athletes were treated like heroes, and cheering for the home team was as easy and innocent as hot dogs and beer. “No news on the sports page” was a governing principle in newsrooms.That was then.Today, sports arenas have been transformed into staging grounds for American patriotism and the hero worship of law enforcement. Teams wear camouflage jerseys to honor those who serve; police officers throw out first pitches; soldiers surprise their families with homecomings at halftime. Sports and politics are decidedly entwined.But as journalist Howard Bryant reveals, this has always been more complicated for black athletes, who from the start, were committing a political act simply by being on the field. In fact, among all black employees in twentieth-century America, perhaps no other group had more outsized influence and power than ballplayers. The immense social responsibilities that came with the role is part of the black athletic heritage. It is a heritage built by the influence of the superstardom and radical politics of Paul Robeson, Jackie Robinson, Muhammad Ali, Tommie Smith, and John Carlos through the 1960s; undermined by apolitical, corporate-friendly “transcenders of race,” O. J. Simpson, Michael Jordan, and Tiger Woods in the following decades; and reclaimed today by the likes of LeBron James, Colin Kaepernick, and Carmelo Anthony.The Heritage is the story of the rise, fall, and fervent return of the athlete-activist. Through deep research and interviews with some of sports’ best-known stars—including Kaepernick, David Ortiz, Charles Barkley, and Chris Webber—as well as members of law enforcement and the military, Bryant details the collision of post-9/11 sports in America and the politically engaged post-Ferguson black athlete.

Unpacks the twenty-one most common myths and misconceptions about Native AmericansIn this enlightening book, scholars and activists Roxanne Dunbar-Ortiz and Dina Gilio-Whitaker tackle a wide range of myths about Native American culture and history that have misinformed generations. Tracing how these ideas evolved, and drawing from history, the authors disrupt long-held and enduring myths such as:“Columbus Discovered America”“Thanksgiving Proves the Indians Welcomed Pilgrims”“Indians Were Savage and Warlike”“Europeans Brought Civilization to Backward Indians”“The United States Did Not Have a Policy of Genocide”“Sports Mascots Honor Native Americans”“Most Indians Are on Government Welfare”“Indian Casinos Make Them All Rich”“Indians Are Naturally Predisposed to Alcohol”Each chapter deftly shows how these myths are rooted in the fears and prejudice of European settlers and in the larger political agendas of a settler state aimed at acquiring Indigenous land and tied to narratives of erasure and disappearance. Accessibly written and revelatory, “All the Real Indians Died Off” challenges readers to rethink what they have been taught about Native Americans and history.

Mary Oliver has been writing poetry for nearly five decades, and in that time she has become America's foremost poetic voice on our experience of the physical world. This collection presents forty-seven new poems, all written within the last two years, and each exhibiting the power and grace that have become the hallmarks of Oliver's work.The volume includes poems on crickets, toads, trout lilies, black snakes, goldenrod, bears, greeting the morning, watching the deer and, finally, lingering in happiness. Each poem is imbued with the extraordinary perceptions of a poet who considers the everyday in our lives and the natural world around us and finds a multitude of reasons to marvel. On the eve of the publication of her third volume of poems, Twelve Moons, Archibald MacLeish wrote to Mary Oliver: "You have indeed entered the kingdom. You have done something better than create your own world: you have discovered the world we all live in and do not see and cannot feel."In the twenty-five years since, Mary Oliver has published nine more volumes of poetry, each revealing new aspects of our world, inviting us to pause with her and to see and feel them. In this new volume she demonstrates, perhaps more affectionately than ever before, "what it means to be human and what is worthwhile about life,"* or, more simply, why the poet wakes early. (*Library Journal)

A treatise of Black women’s transformative influence in media and society, placing them front and center in a new chapter of mainstream resistance and political engagementIn Reclaiming Our Space, social worker, activist, and cultural commentator Feminista Jones explores how Black women are changing culture, society, and the landscape of feminism by building digital communities and using social media as powerful platforms. As Jones reveals, some of the best-loved devices of our shared social media language are a result of Black women’s innovations, from well-known movement-building hashtags (#BlackLivesMatter, #SayHerName, and #BlackGirlMagic) to the now ubiquitous use of threaded tweets as a marketing and storytelling tool. For some, these online dialogues provide an introduction to the work of Black feminist icons like Angela Davis, Barbara Smith, bell hooks, and the women of the Combahee River Collective. For others, this discourse provides a platform for continuing their feminist activism and scholarship in a new, interactive way.Complex conversations around race, class, and gender that have been happening behind the closed doors of academia for decades are now becoming part of the wider cultural vernacular—one pithy tweet at a time. With these important online conversations, not only are Black women influencing popular culture and creating sociopolitical movements; they are also galvanizing a new generation to learn and engage in Black feminist thought and theory, and inspiring change in communities around them.Hard-hitting, intelligent, incisive, yet bursting with humor and pop-culture savvy, Reclaiming Our Space is a survey of Black feminism’s past, present, and future, and it explains why intersectional movement building will save us all.

A look back at the cultural and political force of Pulitzer Prize-winning poet Gwendolyn Brooks, in celebration of her 100th birthday Artist - Rebel - Pioneer Pulitzer Prize-winning poet Gwendolyn Brooks is one of the great American literary icons of the 20th century, a protégé of Langston Hughes and mentor to a generation of poets, including Sonia Sanchez, Nikki Giovanni, and Elizabeth Alexander. Her poetry took inspiration from the complex portraits of black American life she observed growing up on Chicago's South Side - a world of kitchenette apartments and vibrant streets. From the desk in her bedroom, as a child she filled countless notebooks with poetry, encouraged by the likes of Hughes and affirmed by Richard Wright, who called her work "raw and real". Over the next 60 years, Brooks' poetry served as witness to the stark realities of urban life: the evils of lynching, the murders of Emmett Till and Malcolm X, the revolutionary effects of the civil rights movement, and the burgeoning power of the Black Arts Movement. Critical acclaim and the distinction in 1950 as the first black person ever awarded a Pulitzer Prize helped solidify Brooks as a unique and powerful voice. Now, in A Surprised Queenhood in the New Black Sun, fellow Chicagoan and award-winning writer Angela Jackson delves deep into the rich fabric of Brooks' work and world. Granted unprecedented access to Brooks' family, personal papers, and writing community, Jackson traces the literary arc of this artist's long career and gives context for the world in which Brooks wrote and published her work. It is a powerfully intimate look at a once-in-a-lifetime talent up close, using 43 of Brooks' most soul-stirring poems as a guide. From trying to fit in at school ("Forgive and Forget") to loving her physical self ("To Those of My Sisters Who Kept Their Naturals") to marriage and motherhood ("Maud Martha") to young men on her block ("We Real Cool") to breaking history ("Medgar Evers") to newfound acceptance from her community and her elevation to a "surprising queenhood" ("The Wall"), Brooks lived life through her work. Jackson deftly unpacks it all for both longtime admirers of Brooks and newcomers curious about her interior life. A Surprised Queenhood in the New Black Sun is a commemoration of a writer who negotiated black womanhood and incomparable brilliance with a changing, restless world - an artistic maverick way ahead of her time.

This exploration of the effects of lynching in the U.S. speaks powerfully to us in these times that have witnessed the creation of the Legacy Museum and the National Memorial for Peace and Justice.Nearly five thousand black Americans were lynched between 1890 and 1960, and the effects of this racial trauma continue to resound. Inspired by South Africa's Truth and Reconciliation Commission, and drawing on techniques of restorative justice, Sherrilyn Ifill, president and director-counsel of the NAACP Legal Defense and Educational Fund, offers concrete ways for communities to heal. She also issues a clarion call for communities with histories of racial violence to be proactive in facing this legacy. This revised edition speaks powerfully to us in these times that have witnessed the creation of the Legacy Museum and the National Memorial for Peace and Justice in Montgomery, Alabama. e new foreword from Bryan Stevenson helps readers to better understand contemporary struggles and come to terms with the legacy of racial terror in the United States. In a new afterword, Ifill reflects on the recent strides made throughout the country to break the silence surrounding lynching and to recognize the victims of violence.Th

A New York Times Best SellerMerging real stories with theory, research, and practice, a prominent scholar offers a new approach to teaching and learning for every stakeholder in urban education.Drawing on his own experience of feeling undervalued and invisible in classrooms as a young man of color and merging his experiences with more than a decade of teaching and researching in urban America, award-winning educator Christopher Emdin offers a new lens on an approach to teaching and learning in urban schools. For White Folks Who Teach in the Hood...and the Rest of Y’all Too is the much-needed antidote to traditional top-down pedagogy and promises to radically reframe the landscape of urban education for the better.He begins by taking to task the perception of urban youth of color as unteachable, and he challenges educators to embrace and respect each student’s culture and to reimagine the classroom as a site where roles are reversed and students become the experts in their own learning.Putting forth his theory of Reality Pedagogy, Emdin provides practical tools to unleash the brilliance and eagerness of youth and educators alike—both of whom have been typecast and stymied by outdated modes of thinking about urban education. With this fresh and engaging new pedagogical vision, Emdin demonstrates the importance of creating a family structure and building communities within the classroom, using culturally relevant strategies like hip-hop music and call-and-response, and connecting the experiences of urban youth to indigenous populations globally. Merging real stories with theory, research, and practice, Emdin demonstrates how by implementing the “Seven C’s” of reality pedagogy in their own classrooms, urban youth of color benefit from truly transformative education.For White Folks Who Teach in the Hood...and the Rest of Y'all Too has been featured in MotherJones.com, Education Week, Weekend All Things Considered with Michel Martin, Diverse: Issues in Higher Education, PBS NewsHour.com, Slate, The Washington Post, Scholastic Administrator Magazine, Essence Magazine, Salon, ColorLines, Ebony.com, Huffington Post Education

The visionary author’s masterpiece pulls us—along with her Black female hero—through time to face the horrors of slavery and explore the impacts of racism, sexism, and white supremacy then and now.Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana's life will end, long before it has a chance to begin.

The forty-seven new works in this volume include poems on crickets, toads, trout lilies, black snakes, goldenrod, bears, greeting the morning, watching the deer, and, finally, lingering in happiness. Each poem is imbued with the extraordinary perceptions of a poet who considers the everyday in our lives and the natural world around us and finds a multitude of reasons to wake early.

The classic collection of Dr. King’s sermons that fuse his Christian teachings with his radical ideas of love and nonviolence as a means to combat hate and oppression.As Martin Luther King, Jr., prepared for the Birmingham campaign in early 1963, he drafted the final sermons for Strength to Love, a volume of his most well known homilies. King had begun working on the sermons during a fortnight in jail in July 1962. While behind bars, he spent uninterrupted time preparing the drafts for works such as “Loving Your Enemies” and “Shattered Dreams,” and he continued to edit the volume after his release. Strength to Love includes these classic sermons selected by Dr. King. Collectively they present King’s fusion of Christian teachings and social consciousness and promote his prescient vision of love as a social and political force for change.